Movie Review: Creed 3
Michael B. Jordan makes his debut as a director with Creed 3, and what a smashing entry to the league this is. The actor understands the grammar required to make a movie that is one of the many in a franchise. He doesn’t seem to be taking the pressure of building a sequel but treats this one like a standalone movie that can be watched without knowing the world entirely. If this is what his debut looks like, make way the world of cinema, we have a new skilled man on board.
The Creed branch that opened up with the idea of bringing in the prodigies of the Balboa phenomenon was a success. The moment Adonis and Rocky together climbed the iconic Philadelphia museum stairs in the climax of the first film, showed us how even an aged Sylvester Stallone can handle a movie remotely without really indulging in any visible action sequence. But it also kind of challenged the makers to dare and see a future without him where a standalone Adonis Creed reigns without Stallone appearing out of the blue to save his day. Michael B. Jordan and Ryan Coogler decided to take up this challenge and what a victory this is!
Black Panther: Wakanda Forever fame Ryan Coogler who joins Keenan Coogler to write the story of Creed 3 has now found a new skill where he can write stories with the absence of the central lead and make it an emotional tale that not just pays homage to the missing but also finds new life of its own. Creed 3 is not one of those last two movies that had the expectations of an entire district hanging on those chiseled shoulders of Adonis, but this time it’s more personal. The victory this time means redemption more than ever and it is not a ring where two men are fighting off their egos but one trying to make peace with his tragic past.
Michael B. Jordan has made a very personal film that shows how involved he is in his entire existence in making it. The actor is so organic as Creed that there is no single frame you are allowed to judge. The writing already gives him a lot of emotional baggage to carry and he does it quite skilfully. Jordan is now irreplaceable as the character and this here is a testimony.
Jonathan Majors is here and it looks like the man has taken some special training in being the bad man. With his massive bulging muscles the actor does not have to mouth lines to scare people but only look at you with that gaze. A gaze that will make you fear his presence. He also has a reason to fight Creed, he feels Adonis lived the life that belonged to him. The only complaint is that Kang’s fame deserved an emotional sequence that introduces us to a new layer in him and makes him humane.
Tessa Thompson is brilliant when it comes to supporting Adonis and does the job pretty well. But she is not allowed to go beyond being by Creed’s side. Wish she had more.
With Zack Baylin and Keenan on screenplay, the movie finds its soul in the fact that its leading man is now aging and even has a family that demands him to subside his rage and be the father that he is expected to be. His decisions cannot be as rogue as they were once. Add to it the fact that he is raising a special child with a wife with her own sets of battles that she fights with all smiles. The enemy too is close to home. He is the guy who brought Adonis around the ring in the first place but a tragedy tore them apart.
